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localStyle has been commissioned to make an audiovisual work for 150 Riverside, which is located in the lobby of 150 N Riverside in Chicago. The visuals will be presented on an 89-blade system of vertical LED displays and the sound will be projected via an 8 channel audio system.

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Also under development is the first in a projected series of Timeslips, inspired by Kim Stanley Robinson’s Martian trilogy. This will be a series of pieces taking cues from a variety of perspectives. The approach is from the angle of speculative fiction, with worlding providing a bedrock praxis and underlying structure. Each work will be 00:39:35 in duration, the difference between a day on Earth (24 hours) and a day on Mars.

The rotational period of Mars is 39:35 minutes longer than that of Earth. In Robinson’s Mars Trilogy (Red Mars, Green Mars, Blue Mars) the First Hundred human colonists decide that the solution to the difference between a day on Earth and a day on Mars would be to program their digital clocks to pause for thirty-nine and a half minutes between 00:00 midnight and 00:01. The Martian Timeslip would be a time outside of (chronometric) time, a suspension of the relentless hegemony of the clock, an opportunity to indulge the genetically-built-in tendency for human biorhythms to tend towards a 25-hour day (against the terrestrial circadian reset of sunrise locked to 24-hour cycles). In Robinson’s narrative, it potentially becomes an opportunity for reflection, introspection, and contemplation.

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Another commission due in the spring of 2020 is from the Chicago Center for Contemporary Composition; the University of Chicago has requested a new work for the their newly-formed Grossman Ensemble. Yim is already at work conceptualizing his Fifth String Quartet With Invasive Species.