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localStyle has been commissioned to make an audiovisual work for 150 Riverside, which is located in the lobby of 150 N Riverside in Chicago. The visuals will be presented on an 89-blade system of vertical LED displays and the sound will be projected via an 8 channel audio system.


Also under development is the first in a projected series of Timeslips, inspired by Kim Stanley Robinson’s Martian trilogy. This will be a series of pieces taking cues from a variety of perspectives. The approach is from the angle of speculative fiction, with worlding providing a bedrock praxis and underlying structure. Each work will be 00:39:35 in duration, the difference between a day on Earth (24 hours) and a day on Mars.

The rotational period of Mars is 39:35 minutes longer than that of Earth. In Robinson’s Mars Trilogy (Red Mars, Green Mars, Blue Mars) the First Hundred human colonists decide that the solution to the difference between a day on Earth and a day on Mars would be to program their digital clocks to pause for thirty-nine and a half minutes between 00:00 midnight and 00:01. The Martian Timeslip would be a time outside of (chronometric) time, a suspension of the relentless hegemony of the clock, an opportunity to indulge the genetically-built-in tendency for human biorhythms to tend towards a 25-hour day (against the terrestrial circadian reset of sunrise locked to 24-hour cycles). In Robinson’s narrative, it potentially becomes an opportunity for reflection, introspection, and contemplation.


Another commission due in the spring of 2020 is from the Chicago Center for Contemporary Composition; the University of Chicago has requested a new work for the their newly-formed Grossman Ensemble. Yim is already at work conceptualizing his Fifth String Quartet With Invasive Species.